Eve
6: Interview
July 2003
By: Linda Spielman
Welcome to the rock 'n
roll military: You have just put in almost ten years of active duty,
toured the U.S. and world relentlessly, voluntarily given up what
you have known as "normal life" and in a matter of a few
short weeks will release your third album. However, this isn't a
two, four, or six year enlistment . . . this is your life. The members
of Eve 6 have
done, seen and played it all through their tour of duty in the music
world and aren't even yet the ripe old age of twenty-five.
In many cases, bands
make a conscious effort to become a successfully signed band. But,
with Eve 6, the decision to become a band in the mid-1990s happened
in the midst of a casual conversation during a high school gym class.
Through the combination of their talents--- the vocals and writing
skills of Max Collins, the drumming of Tony Fagenson and the guitar
playing of Jon Siebels--- the band brought to the table a pop-punk
sound which inked them a record deal with RCA
Records in 1996 at the mere ages of seventeen. Long before the
Simple Plans and Good Charlottes of today's musical popularity were
on the scene, Eve 6 introduced an infectious sound which MTV and
radio quickly embraced with songs like Inside Out, Promise
and Here's To The Night off of their first two albums, Eve
6 and Horrorscope. By late 2001, the band had been touring
nonstop for about a year and half in support of their second album.
Touring and making music was considered a normal life to the group.
Living out your dreams, ambitions and achieving success all before
reaching the legal drinking age proved to be a bit overwhelming,
and the band was in need of a change and a "new beginning."
That new beginning came in the form of the everyday life that the
rest of the world was leading--- eating breakfast in your own home,
dealing with personal relationships, and being in the same city,
not to mention your own bed, day after day. "We were in a whirlwind;
we just needed time to live normal lives--- and we didn't even know
what normal was," as the band recalls. Jon Siebels elaborates,
"I'm glad you brought up the normalcy question and missing
everyday things. I missed being able to blast my car radio and play
my own CDs while driving my own car. Little things like that, you
take for granted."
After gaining some stability
and sanity in their lives, the guys in Eve 6 started writing and
conceptualizing their third release entitled It's All In Your
Head which was released on July 22, 2003. The band penned between
fifteen and twenty-five songs as possible tracks for the CD and
enlisted the help of producer Gregg Wattenberg to help create an
album that would be fresh while remaining true to their signature
sound. The band was confident in the choices of tracks, but still
needed the guidance of a good producer to help achieve their final
product. The one major thing that Siebels notes Wattenberg brought
to the production was enthusiasm. "We were working on the tracks
for the record for so long, we needed that spark that Gregg brought
to us as a type of validation that it was going to be a good product
in the end. We knew from our first phone conversation Gregg was
"the guy," and he spoke our language. We immediately gelled."
The first release Think
Twice has been added to most major playlists on alternative
stations across the United States. However, the album's content
boasts many catchy pop-punk staples, along with a very folk sounding
track titled Hey Montana. The totality of the experiences
that the band has had in the last seven years are reflected on the
album, according to Siebels. Good Lives and At Least We're
Dreaming tell the story of what the band has gone through over
the years. They are classic Eve 6 songs." Fagenson is also
quick to add, "I think it's the struggle that's inherent in
the music. We know we're different people now, yet still hold onto
the fire, hope and passion we had when we first started the band.
I think that's the dichotomy and dilemma on this record."
Siebels and his bandmates
are quite happy with the success of their current headlining tour
thus far. In the past, being a fan of touring on the festival circuit
Eve 6 is now able to see exactly just how strong their fan base
is with the headlining, club tour. The shows have either been sell
outs or near capacity crowds, drawing in a diverse collection of
fans of all ages. The band has decided to incorporate only three
or four new songs from the new album into their nightly set. "Being
a fan of music, I like going out and hearing stuff I know. That's
what we wanted to do with this tour. We're still playing our hits
off the first two albums, although many fans have already downloaded
the new songs and already know all the words," Siebels notes.
The topic of downloading
of music is a heavily debated issue, one in which many people have
definite opinions. According to Siebels, Eve 6 was always a pro-Napster
band, even being listed on their site. However, he does feel there
needs to be a happy medium between complete, free file sharing and
what the labels want by selling records for prices that exceed what
a typical young person would want to spend. "I would much rather
have kids listening and learning our songs. If they have a non-copywritten
version of the album, who cares how they got it because we don't
get paid enough in royalties anyway. If they're listening to the
songs, enjoying them, coming out to the shows, buying the T-shirts,
that's where the impact is." Although the debate is very strong
on both ends, Siebels sees a new fascination with music in general
that the whole file sharing controversy has stirred up since its
inception circa 1999. He hopes the file sharing situation may force
people to care about music again in terms of quality in the content
included on albums in general. "It's cut the industry and the
artists down to size in many ways. For the last fifteen years artists
have been writing one hit song and the remainder of their album
is filler tracks you don't want to listen to, then charge you $25.
As a music fan and someone who buys records, I feel cheated. If
nothing else, I think all this is going to force artists and labels
to make every song on an album a good song, so the people will not
have a problem spending their money on the purchase."
Eve 6 is quite content
on where they are in their personal and professional lives at present
time. The overall freedom the band now enjoys was hard won, but
the trio is grateful for the experience. "Opportunities are
fleeting, your gotta take 'em when they come," Collins believes.
"You change, grow, deal with death and money, but you learn
from that and try to keep hold of your innocence at the same time."
http://www.eve6.com
http://www.rcarecords.com
Photo
courtesy of RCA Records
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